Alain Badiou was born in 1937 in Rabat and Jean-Claude Milner in 1941 in Paris. They were both involved in the "Red Years" at the end of the Sixties and both were Maoists, but while Badiou was focusing all his attention on China, Milner was already taking his distance from it. Over the years, that original dispute over the destiny of gauchisme was fueled by deep, new differences between them concerning the role of philosophy and politics. In this wide-ranging and compelling dialogue, these two great thinkers explore the role of politics in today's world and consider the need for a formal theory of communist political organization. Whether they are addressing the era of revolutions, and in particular the Paris Commune and the Chinese Cultural Revolution, or discussing the infinite, the universal, the name "Jew", violence, capitalism, the left, or Europe, Jean-Claude Milner's dyed-in-the-wool skepticism constantly runs up against Alain Badiou's doctrinal passion. This extraordinary debate ultimately leads to new areas of interrogation and shows that there is no better remedy for the crushing power of media-influenced thinking than the revival of the great disputes of the mind.

Everything in their respective positions divides them: Alain Badiou is the thinker of a revitalized communism and Alain Finkielkraut the mournful observer of the loss of values. The two opponents, gathered here for their first-ever debate, have irreconcilable visions. Yet neither is a stranger to controversy, and in this debate they make explicit the grounds of their personal dispute as well as addressing, in a frank and open exchange, their ideas and theories. Guided by Aude Lancelin, the two philosophers discuss subjects as diverse as national identity, Israel and Judaism, May 1968, and renewed popularity of the idea of communism. Their passionate debate is more than just the sum total of their disagreements, however, for neither of them is satisfied with the state of our society or the direction in which its political representatives persist in taking it. They agree that there needs to be change and their confrontation in this volume shows the importance of asking difficult questions, not only of each other, but also of our political systems.

A new century, new threats to love . . . Love without risks is like war without deaths - but, today, love is threatened by an alliance of liberalism and hedonism. Caught between consumerism and casual sexual encounters devoid of passion, love - without the key ingredient of chance - is in danger of withering on the vine. In In Praise of Love, Alain Badiou takes on contemporary 'dating agency' conceptions of love that come complete with zero-risk insurance - like US zero-casualty bombs. He develops a new take on love that sees it as an adventure, and an opportunity for re-invention, in a constant exploration of otherness and difference that leads the individual out of an obsession with identity and self. Liberal, libertine and libertarian reductions of love to instant pleasure and non-commitment bite the dust as Badiou invokes a supporting cast of thinkers from Plato to Lacan via Karl Marx to form a new narrative of romance, relationships and sex - a narrative that does not fear love.

Plato's Republic is one of the most well-known and widely discussed texts in the history of philosophy, but how might we get to the heart of this work today, 2500 years after it was originally composed? Alain Badiou invents a new genre in order to breathe fresh life into Plato's text and restore its universality. Rather than producing yet another critical commentary, he has retranslated the work from the original Greek and, by making various changes, adapted it for our times. In this innovative reimagining of a classic text, Badiou has removed all references specific to ancient Greek society, from the endless exchanges about the moral courage of poets to those political considerations that were only of interest to the aristocratic elite. On the other hand, Badiou has expanded the range of cultural references: here philosophy is firing on all cylinders, and Socrates and his companions are joined by Beckett, Pessoa, Freud and Hegel. They demonstrate the enduring nature of true philosophy, always ready to move with the times. Moreover, Badiou the dramatist has made the Socratic dialogue a true oratorial contest: in his version of the Republic, the interlocutors have more in mind than merely agreeing with the Master. They stand up to him, put him on the spot and thereby show thought in motion. Through this work of writing, scholarship and philosophy, we are able, for the first time, to read a version of Plato's text which is alive, stimulating and directly relevant to our world today.

An accessible introduction to Badiou's key ideas In this short and accessible book, the French philosopher Alain Badiou provides readers with a unique introduction to his system of thought, summed up in the trilogy of Being and Event, Logics of Worlds, and The Immanence of Truths. Taking the form of an interview and two talks and keeping in mind a broad audience without any prior knowledge of his work, the book touches upon the central concepts and major preoccupations of Badiou's philosophy: fundamental ontology, mathematics, politics, poetry, and love. Well-chosen examples illuminate his thinking in regards to being and universality, worlds and singularity, and the infinite and the absolute, among other topics. A veritable tour de force of pedagogical clarity, this new student-friendly work is perhaps the single best general introduction to the work of this prolific and committed thinker. If, for Badiou, the task of philosophy consists in thinking through the truths of our time, the texts collected in this small volume could not be timelier.

The question of migration has come to dominate the news agenda in many countries, but what does the word 'migrant' really mean today and how should we respond to those who are labelled 'migrants'? In this short book Alain Badiou argues that our way of thinking about migration should be governed both by an ethical duty to welcome the migrant in the name of hospitality and also by the urgent need to put an end to the global capitalist oligarchy that has produced the migrant as a figure of contemporary crisis. For the 'migrant, ' argues Badiou, is in fact a nomadic proletarian. Today, our homeland is the world, and any meaningful politics must include those who come to us and who represent the universal nomadic proletariat. Writing with the rigor, clarity, and polemical flair that have made him one of the world's most influential philosophers, and drawing on a rich body of material including contemporary poetry and the words of an anonymous migrant, Badiou develops a powerful riposte to those who have stoked the fear of migrants and exploited the migration question for political ends.

On 13 November 2015, Paris suffered the second wave of brutal terrorist attacks in a year, leaving 130 dead and many more seriously injured. How are we to make sense of these violent acts and what do they tell us about the forces shaping our world today? In this short book the influential philosopher Alain Badiou argues that while these violent events are commonly portrayed as acts of Islamic terrorism, in fact they attest to a much deeper malaise that is connected to the triumph of global capitalism and to new forms of imperialism that involve the weakening of states, such that whole regions of the world have been turned into ungovernable zones run by armed gangs in which ordinary people are forced to live the most precarious lives. These zones have become the breeding ground for a new kind of nihilism that seeks revenge for the domination of the West. And it is this new nihilism, on to which Islam has been grafted, that exerts a particular appeal to the young men and women on the margins who carried out the atrocities in Paris. The tragedy of 13 November might appear at first sight to be rooted in immigration and Islam but our wound is not so recent: it is rooted in a deeper set of transformations that have reshaped our world, creating small islands of privilege amidst large masses of the destitute and depriving us of a politics that would offer a serious alternative to the present.

In capitalism human beings act as if they are mere animals. So we hear repeatedly in the history of modern philosophy. Indifference and Repetition examines how modern philosophy, largely coextensive with a particular boost in capitalism’s development, registers the reductive and regressive tendencies produced by capitalism’s effect on individuals and society. Ruda examines a problem that has invisibly been shaping the history of modern, especially rationalist philosophical thought, a problem of misunderstanding freedom. Thinkers like Descartes, Kant, Hegel, and Marx claim that there are conceptions and interpretations of freedom that lead the subjects of these interpretations to no longer act and think freely. They are often unwillingly led into unfreedom. It is thus possible that even “freedom” enslaves. Modern philosophical rationalism, whose conceptual genealogy the books traces and unfolds, assigns a name to this peculiar form of domination by means of freedom: indifference. Indifference is a name for the assumption that freedom is something that human beings have: a given, a natural possession. When we think freedom is natural or a possession we lose freedom. Modern philosophy, Ruda shows, takes its shape through repeated attacks on freedom as indifference; it is the owl that begins its flight, so that the days of unfreedom will turn to dusk.

What is the relation between politics and the world? It might seem that global capitalism has created one world, but this is an illusion because capitalism creates a world of objects and money that divides human existence into regions separated by fences and walls built to keep some people out. In place of this falsely unified world of global capitalism, we need to assert a fundamental principle - namely, that there is one world of living subjects. This, in Badiou's view, is the categorical imperative of all true politics. The one world of living subjects is the place where an infinity of differences and identities exist. Hence foreigners are not a problem but rather an opportunity and a gift. They bear witness to the youth of the world in its infinite variety, and it is with this youth that the politics of the future rests. Foreignness is the means by which existence is re-evaluated, and all true politics is a new dawn of existence. This collection of essays by Badiou, in which he draws out the political implications of recent events and social movements, will be of value to anyone interested in the great social and political questions of our time.

The Adventure of French Philosophy is essential reading for anyone interested in what Badiou calls the "French moment" in contemporary thought. Badiou explores the exceptionally rich and varied world of French philosophy in a number of groundbreaking essays, published here for the first time in English or in a revised translation. Included are the often-quoted review of Louis Althusser's canonical works For Marx and Reading Capital and the scathing critique of "potato fascism" in Gilles Deleuze and Felix Guattari's A Thousand Plateaus. There are also talks on Michel Foucault and Jean-Luc Nancy, and reviews of the work of Jean-Francois Lyotard and Barbara Cassin, notable points of interest on an expansive tour of modern French thought. Guided by a small set of fundamental questions concerning the nature of being, the event, the subject, and truth, Badiou pushes to an extreme the polemical force of his thinking. Against the formless continuum of life, he posits the need for radical discontinuity; against the false modesty of finitude, he pleads for the mathematical infinity of everyday situations; against the various returns to Kant, he argues for the persistence of the Hegelian dialectic; and against the lure of ultraleftism, his texts from the 1970s vindicate the role of Maoism as a driving force behind the communist Idea.

In Praise of Theatre is Alain Badiou s latest work on the most complete of the arts, the theatrical stage. This book, certain to be of great interest to scholars and theatre practitioners alike, elaborates the theory of the theatre developed by Badiou in works such as Rhapsody for the Theatre and the Theses on Theatre and enquires into the status of a theatre that would be adequate to our contemporary, market-oriented chaos. In a departure from his usual emphasis upon canonical figures of the stage such as Bertolt Brecht and Samuel Beckett, Badiou devotes In Praise of Theatre largely to a consideration of contemporary practitioners, including Jan Fabre, Brigitte Jacques and Romeo Castellucci. In addition, the book features an incisive analysis of the precarious status of the theatre today, in which Badiou describes not only the current threats to the theatre from the right, but the far more insidious threat from the left.

The election of Donald Trump as president of the United States sent shockwaves across the globe. How was such an outcome even possible? In two lectures given at American universities in the immediate aftermath of the election, the leading French philosopher Alain Badiou helps us to make sense of this extraordinary occurrence. He argues that Trump's victory was the symptom of a global crisis made up of four characteristics: the triumph of a brutal form of global capitalism, the decomposition of the established political elite, the growing frustration and disorientation that many people feel today, and the absence of a compelling alternative vision. It was in this context that Trump could emerge as a new kind of political figure that was both inside and outside the political order, a member of the Republican Party who, at the same time, represents something outside the system. The progressive political challenge now is to create something new that offers people a real choice, a radical alternative based on principles of universality and equality. This concise account of the meaning of Trump should be read by everyone who wants to understand what is happening in our world today.

Alain Badiou’s 1983–1984 lecture series on “the One” is the earliest of his seminars that he has chosen to publish. It focuses on the philosophical concept of oneness in the works of Descartes, Plato, and Kant—a crucial foil for his signature metaphysical concept, the multiple. Badiou declares that there is no “One”: there is no fundamental unit of being; being is inherently multiple. What is novel in Badiou’s view of multiplicity is his reliance on mathematics, and set theory in particular. A set is a collection of things—yet, as he observes, it often is taken to “count as one” operationally for the purposes of mathematical transformations. In this seminar, distinguishing between “the One” and “counting as one” emerges as essential to Badiou’s ontological project. His analysis of reflections on oneness in Descartes, Plato, and Kant prefigures core arguments of his defining work, Being and Event. Showcasing the seeds of Badiou’s key ideas and later thought, The One features singular readings, breathtaking theorizations, and frequently astonishing offhand remarks.

In a well-known text called The Communist Hypothesis , first published in 2007, the renowned philosopher Alain Badiou breathed fresh life into the idea of communism as an intellectual representation that provides a critical perspective on existing politics and offers a systemic alternative to capitalism. Now, in the course of this wide-ranging conversation with Peter Engelmann, Alain Badiou explains why he continues to value the idea of communism against the background of current social crises and despite negative historical experiences. From the anticipation of a communism without a state to the problem of the concept of democracy and an analysis of capitalism as a system, the two thinkers discuss the key political issues of our time. Whilst explaining his political philosophy, Badiou also reflects on current socio-political developments such as the turmoil in the Middle East and the situation in China. This compelling dialogue is both a highly topical contribution to the question of how we might organize our societies differently and an accessible introduction to Badiou's philosophical thinking.

In Praise of Theatre is Alain Badiou s latest work on the most complete of the arts, the theatrical stage. This book, certain to be of great interest to scholars and theatre practitioners alike, elaborates the theory of the theatre developed by Badiou in works such as Rhapsody for the Theatre and the Theses on Theatre and enquires into the status of a theatre that would be adequate to our contemporary, market-oriented chaos. In a departure from his usual emphasis upon canonical figures of the stage such as Bertolt Brecht and Samuel Beckett, Badiou devotes In Praise of Theatre largely to a consideration of contemporary practitioners, including Jan Fabre, Brigitte Jacques and Romeo Castellucci. In addition, the book features an incisive analysis of the precarious status of the theatre today, in which Badiou describes not only the current threats to the theatre from the right, but the far more insidious threat from the left.

'I'm 79 years old. So why on earth should I concern myself with speaking about youth?' This is the question with which renowned French philosopher Alain Badiou begins his passionate plea to the young. Today young people, at least in the West, are on the brink of a new world. With the decline of old traditions, they now face more choices than ever before. Yet powerful forces are pushing them in dangerous directions, into the vortex of consumerism or into reactive forms of traditionalism. This is a time when young people must be particularly attentive to the signs of the new and have the courage to venture forth and find out what they're capable of, without being constrained by the old prejudices and hierarchical ideas of the past. And if the aim of philosophy is to corrupt youth, as Socrates was accused of doing, this can mean only one thing: to help young people see that they don't have to go down the paths already mapped out for them, that they are not just condemned to obey social customs, that they can create something new and propose a different direction as regards the true life.

The question of migration has come to dominate the news agenda in many countries, but what does the word 'migrant' really mean today and how should we respond to those who are labelled 'migrants'? In this short book Alain Badiou argues that our way of thinking about migration should be governed both by an ethical duty to welcome the migrant in the name of hospitality and also by the urgent need to put an end to the global capitalist oligarchy that has produced the migrant as a figure of contemporary crisis. For the 'migrant, ' argues Badiou, is in fact a nomadic proletarian. Today, our homeland is the world, and any meaningful politics must include those who come to us and who represent the universal nomadic proletariat. Writing with the rigor, clarity, and polemical flair that have made him one of the world's most influential philosophers, and drawing on a rich body of material including contemporary poetry and the words of an anonymous migrant, Badiou develops a powerful riposte to those who have stoked the fear of migrants and exploited the migration question for political ends.

This volume of conversations between Alain Badiou and Peter Engelmann focuses on the concrete political situation in the world of today. Here the validity and applicability of Badiou's ideas are tested in relation to the great social and political problems of our time, including terrorism, migration, the surge in support for nationalist and populist parties and the growing gap between rich and poor. Badiou argues that in the age of today's globalized capitalism, with its division of labour on a global scale and the worldwide interconnection of information through the Internet, there are no longer any national solutions. Because nations and states lose meaning in favour of transnational corporations in globalized capitalism, resistance to capitalism must by definition be global too. Only a politics that defines itself as a politics for all and does not act in the interests of one particular group - whether a nation, religion or community of shared values - can lead the world out of the current crisis of globalized capitalism.

More than a purely philosophical problem, straddling the ambivalent terrain between necessity and impossibility, contingency has become the very horizon of everyday life. Often used as a synonym for the precariousness of working conditions under neoliberalism, for the unknown threats posed by terrorism, or for the uncertain future of the planet itself, contingency needs to be calculated and controlled in the name of the protection of life. The overcoming of contingency is not only called upon to justify questionable mechanisms of political control; it serves as a central legitimating factor for Enlightenment itself. In this volume, nine major philosophers and theorists address a range of questions around contingency and moral philosophy. How can we rethink contingency in its creative aspects, outside the dominant rhetoric of risk and dangerous exposure? What is the status of contingency-as the unnecessary and law-defying-in or for ethics? What would an alternative "ethics of contingency"-one that does not simply attempt to sublate it out of existence-look like? The volume tackles the problem contingency has always posed to both ethical theory and dialectics: that of difference itself, in the difficult mediation between the particular and the universal, same and other, the contingent singularity of the event and the necessary generality of the norms and laws. From deconstruction to feminism to ecological thought, some of today's most influential thinkers reshape many of the most debated concepts in moral philosophy: difference, agency, community, and life itself. Contributors: Etienne Balibar, Rosi Braidotti, Thomas Claviez, Drucilla Cornell, Hans Ulrich Gumbrecht, Viola Marchi, Michael Naas, Cary Wolfe, Slavoj Zizek

Who hasn't had the frightening experience of stumbling around in the pitch dark? Alain Badiou experienced that primitive terror when he, with his young friends, made up a game called "The Stroke of Midnight." The furtive discovery of the dark continent of sex in banned magazines, the beauty of black ink on paper, but also the mysteries of space and the grief of mourning: these are some of the things we encounter as the philosopher takes us on a trip through the private theater of his mind, at the whim of his memories. Music, painting, politics, sex, and metaphysics: all contribute to making black more luminous than it has ever been.

Alain Badiou began the twenty-first century by considering the relationship between philosophy and notions of "the present." In this period of his ongoing annual lecture series, the acclaimed philosopher took up the existential problem of how to be contemporary with one's own time-that is, how to not simply inhabit a passing moment but bring a real present into existence. Images of the Present Time presents nearly three years of Badiou's seminars, held from 2001 to 2004, partly against the backdrop of the war in Iraq. Given while Badiou was writing Logics of Worlds, the second of the three volumes of Being and Event, these lectures address some of the same questions of existence in a particular world in a more personal and conversational tone, with reference to literature, philosophy, and contemporary politics and culture. He proposes a new concept of living in a real present as the twisting together of something from the past and something of the future. Featuring some of the philosopher's most inspiring and approachable work, Images of the Present Time is an important book for all readers interested in the practical as well as conceptual possibilities of Badiou's thought.

What is the relation between politics and the world? It might seem that global capitalism has created one world, but this is an illusion because capitalism creates a world of objects and money that divides human existence into regions separated by fences and walls built to keep some people out. In place of this falsely unified world of global capitalism, we need to assert a fundamental principle - namely, that there is one world of living subjects. This, in Badiou's view, is the categorical imperative of all true politics. The one world of living subjects is the place where an infinity of differences and identities exist. Hence foreigners are not a problem but rather an opportunity and a gift. They bear witness to the youth of the world in its infinite variety, and it is with this youth that the politics of the future rests. Foreignness is the means by which existence is re-evaluated, and all true politics is a new dawn of existence. This collection of essays by Badiou, in which he draws out the political implications of recent events and social movements, will be of value to anyone interested in the great social and political questions of our time.

An argument that love requires the courage to accept self-negation for the sake of discovering the Other. Byung-Chul Han is one of the most widely read philosophers in Europe today, a member of the new generation of German thinkers that includes Markus Gabriel and Armen Avanessian. In The Agony of Eros, a bestseller in Germany, Han considers the threat to love and desire in today's society. For Han, love requires the courage to accept self-negation for the sake of discovering the Other. In a world of fetishized individualism and technologically mediated social interaction, it is the Other that is eradicated, not the self. In today's increasingly narcissistic society, we have come to look for love and desire within the "inferno of the same." Han offers a survey of the threats to Eros, drawing on a wide range of sources-Lars von Trier's film Melancholia, Wagner's Tristan und Isolde,Fifty Shades of Grey, Michel Foucault (providing a scathing critique of Foucault's valorization of power), Martin Buber, Hegel, Baudrillard, Flaubert, Barthes, Plato, and others. Han considers the "pornographication" of society, and shows how pornography profanes eros; addresses capitalism's leveling of essential differences; and discusses the politics of eros in today's "burnout society." To be dead to love, Han argues, is to be dead to thought itself. Concise in its expression but unsparing in its insight, The Agony of Eros is an important and provocative entry in Han's ongoing analysis of contemporary society. This remarkable essay, an intellectual experience of the first order, affords one of the best ways to gain full awareness of and join in one of the most pressing struggles of the day: the defense, that is to say-as Rimbaud desired it-the "reinvention" of love. -from the foreword by Alain Badiou

Why bother to praise mathematics when you claim, as Alain Badiou does, that philosophy is first and foremost a metaphysics of happiness, or else it s not worth an hour of trouble? What possible relationship can there be between mathematics and happiness? That is precisely the issue at stake in this dialogue, which serves as a very accessible introduction to what mathematics is and an exploration of the crucial influence it has always exerted on the greatest philosophers. Far from the thankless, pointless exercises they are often thought to be, mathematics and logic are indispensable guides to ridding ourselves of dominant opinions and making possible an access to truths, or to a human experience of the utmost value. That is why mathematics may well be the shortest path to the true life, which, when it exists, is characterized by an incomparable happiness.

This concise and accessible book is the perfect introduction to Badiou s thought. Responding to Tarby s questions, Badiou takes us on a journey that interrogates and explores the four conditions of philosophy: politics, love, art and science. In all these domains, events occur that bring to light possibilities that were invisible or even unthinkable; they propose something to us. Everything then depends on how the possibility opened up by the event is grasped, elaborated and embedded in the world this is what Badiou calls a truth procedure . The event creates a possibility but there then has to be an effort a group effort in the case of politics, an individual effort in the case of love or art for this possibility to become real and inscribed in the world. As he explains his thinking on politics, love, art and science, Badiou takes stock of his major works, reflects on their central themes and arguments and looks forward to the questions he plans to address in his future writings. The book concludes with a short introduction to Badiou s philosophy by Fabien Tarby. For anyone wishing to understand the work of one of the most widely read and influential philosophers writing today, this small book will be an indispensable guide.